Squiggle - Exhibition.jpg

Melt my heart but spare my soul

a curatorial collaboration with Seed Space (Tennessee)

October 12th - October 28th

Opening NIGHT:
October 12th, 6-9PM

Artist Reception + New Dialect performance:
October 27th, 6-9PM

Regular Hours:
Thurs + Fri: 3 - 7 PM
Saturady: 12 - 7 pm
Sunday: 12 - 5 PM


917 E 16th St (@ Persian Rug)


 Cesar Leal + Greg Pond + Banning Bouldin

Cesar Leal + Greg Pond + Banning Bouldin

EVENTS

Opening Night
October 12th, 6-9 PM

Sideshow Slideshow
October 19th, 7-9 PM

Kids Workshop
with C-Grimey
Oct 20th, 1-2 PM

Reading Groups
October 14th, 21st, + 28th 2-4 PM

New Dialect Performance + Closing Reception
October 27th

Following Shows

The 52 Hertz Whale, collaboration with Sarah Higgins of the Zuckerman Museum of Art         
Friday, February 22nd -Sunday, March 10th

Be a Nuisance When Necessary, collaboration with University of Louisville Masters in Curatorial Studies Students and program Director, Chris Reitz                      Friday, March 29rd -Sunday, April 14th

Previous Shows

LAND AND SEA, collaboration with Daniel Fuller of the Atlanta Contemporary
August 10th - September 9th
Read Curatorial Statement.

Support

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Curatorial Brief

Communication isn’t always, or even mostly, achieved by words and mouths. Plateaus of understanding are found when gestures project meaning through fingertips and form, translating what was dark into something less so. Language takes many shapes, some more stable than others. Similarly, silence bears equal significance to sound, with its effect, at times, deafening. This claim is substantiated in Colin Kaepernick’s kneel, Tommie Smith and John Carlos’ 1968 Olympic podium appearance, Tiananmen Square, and also every gap between every utterance. Absolute silence is also a state that many of us have never experienced but some hear indefinitely. And still further, may not exist at all. 

Seed Space + Stove Works present Melt My Heart But Spare My Soul. This exhibition brings together seemingly divergent cultural producers exploring sound and noise, language and movement, bodies and structure, communication and collaboration, affective conveyance, and inaudible exchange: Alison O’Daniel, a Los Angeles-based sculptor and filmmaker, will be joined by artist and filmmaker, Greg Pond and his collaborator, dancer and artistic director, Banning Bouldin. Cesar Leal, a conductor and musician, working with vocalist, Jessica Usherwood have contributed to the aural anatomy of this multi-modal installation.

Alison O'Daniel (Los Angeles, CA) 
Greg Pond (Sewanee, TN) and Banning Bouldin (Nashville, TN).
César Leal (Sewanee, TN) and Jessica Usherwood (Sewanee, TN)


Artist Bios:

Greg Pond (Sewanee, TN)

Greg Pond is a graduate of The University of Georgia and earned his MFA from The University of the South, Sewanee. He is currently on faculty at The University of the South, Sewanee and has been awarded Tennessee State Individual Artist grant, is a recent Kennedy Fellow at the University of the South, and has been an artist in residence at the F+F School of Art in Zurich and the Burren College of Art in Ireland. Greg also works as an independent writer, curator, and lecturer with recent projects and events hosted by the Egyptian Ministry of Culture, Fivemyles Gallery in Brooklyn, Delta Axis in Memphis, the Frist and Cheekwood Museums of Art in Nashville.

Banning Bouldin (Nashville, TN)

Banning is a Nashville native and received her BFA in dance from the Juilliard School in 2002. She spent the next eight years working internationally with some of her field’s most renowned companies, dancers, and choreographers: The Cullberg Ballet of Sweden, Mats Ek, Johan Inger, Hubbard Street 2, Lar Lubovitch Dance Company, Sidi Larbi Cherkaoui, Alexander Ekman, Buglisi/Foreman Dance, Wen Wei Wang, and others. She was a soloist, master teacher, and rehearsal assistant during her tenure with Aszure Barton and Artists from 2003-2010. In 2007 she began to develop and teach her own syllabus in Paris at the Theatre de la Danse and Studio Harmonic. That year she joined Rumpus Room Dance, based both in Portland, Oregon and Goteborg, Sweden, where she had the opportunity to co-create multiple site-specific installations. She and her Rumpus Room colleagues were nominated one of Dance Magazine’s “25 to Watch” in 2010.

In 2012, Bouldin formed the collective New Dialect in Nashville, TN, which is in its 5th season. Awards include Tennessee Dance Association’s Margaret Martin Award, Springboard Danse Montreal and Northwest Dance Project's Pretty Creative competitions, Tennessee Arts Commission Individual Artists, Fellowship, and a nomination for United States Artists Fellowship.

César Leal (Sewanee, TN)

Colombian born conductor and musicologist César Leal is currently the artistic director and conductor of the Sewanee Symphony Orchestra in Sewanee, TN, where he also serves as faculty member of the Sewanee Summer Music Festival. He has led ensembles across the U.S., Panama, Colombia, France, and the Ukraine.   Maestro Leal’s activities as a Conductor and Musicologist often intersect and his interest in interdisciplinarity and collaboration often inform his scholarly and artistic projects. In collaboration with the Lexington Ballet (KY), he directed a full-stage production devoted to Diaghilev’s Ballet Russes (2013). This tribute included performances of Stravinsky’s Rite of Spring, Chopin’s Les Sylphides, and Debussy’s Afternoon of a Faun. In 2011 and 2012 he was the assistant director of the Congrés Mondiale d’Écologie Sonore (Switzerland), an event devoted to music research and performance. Leal’s program for his debut with the Panama National Symphony Orchestra in July 2014 featured works from the fin-de-siècle (1880-1913) that bridged European and Latin American musical traditions. Most recently (2017), Leal collaborated with the American Spiritual Ensemble in a concert version of George Gershwin’s Porgy and Bess. In 2019, he will collaborate with baritone Reginald Smith Jr., Metropolitan Opera National Auditions Winner (2015) for a performance of Pilgrimage, a rarely performed Cantata for orchestra and baritone, by American living composer Carlisle Floyd (b. 1926). He has recorded works by several Latin American composers and has presented scholarly papers in the U.S., Canada, Greece, Japan, Italy, France, England, Peru, Colombia, and Switzerland.

Alison O'Daniel (Los Angelos, CA)

Alison O’Daniel (Los Angeles, CA) Combining film, performance, sculpture, and installation, Alison O'Daniel's work is structured as a call-and-response between mediums. Cinema, performance, sound-dampening textiles, sculptures, mobiles, and large-scale installations foreground the deaf and hard of hearing experience through process, collaboration, and material. O'Daniel collaborates with composers and musicians in order to highlight the loss or re-creation of information as it passes through various channels, and to build a visual, aural, and haptic vocabulary as a means to tell stories inspired by events that are both historic and quotidian.

O'Daniel has presented solo exhibitions at Art In General, New York; Samuel Freeman Gallery, Los Angeles; Centre d’Art Contemporain Passerelle, Brest, France and an upcoming solo show at Shulamit Nazarian Gallery in Los Angeles. She has presented performances at the Hammer Museum, Knockdown Center, and Art Los Angeles Contemporary. She is included in the Hammer Museum’s 2018 Biennial ‘Made in L.A.’ and a group exhibition The Infinite Ear at the Garage Contemporary Art Museum. Writing on her work has appeared in The New York Times, Artforum, Los Angeles Times, and ArtReview. She has received grants from the Rema Hort Mann Foundation, Center for Cultural Innovation, Art Matters, Franklin Furnace Fund, and California Community Foundation. O'Daniel received a BFA in Fibers and Material Studies from the Cleveland Institute of Art, a Post-graduate Diploma of Fine Art from Goldsmiths College, University of London, and a MFA in Studio Art from UC Irvine, CA.